(This is a repost of my old writings)
If there is one DreamWork movie that has seen massively belated, acclaim over the years, to the point where it can easily consider to be a cult classic. It's Shrek.
Okay, I guess a lot of DreamWork movies have that status but none have been quite as prevalent as of late; Megamind.
I thought it was good as a kid but not much else. It didn't stick with me like other dreamwork films that I really liked and that's kinda how the general public felt. It came out the same year that DreamWorks concluded their most profitable franchise; Shrek Forever and After.
And the same year DreamWork started their most respected franchise; How to Train your Dragon.
This film kinda got lost in the shadow as a result of realising so close to these two franchise toppers.
I revisited Megamind recently and I can now see the emotional intelligence, wit and even artistry at work in this underappreciated movie.
So, Here's why Meganmind is a cinematic masterpiece.
One of Megamind's qualities is the shockingly mature story it decides to tell with its characters. This movie has a lot of reflection, connection, inspection and misdirection. The bottom line is the way events unfold in this movie are a kind of novel for an animated comedy made for kids.
This is another one of those kids movies that very rarely talk down to its audience. So, just like superman: Megamind is a baby on a planet that's gonna blow up.
He gets escape potted away but it turns out this other kid had the exact same idea. Metro-man ends up with a loving family that seems to have a ton of riches and notoriety. Perfect household to raise an egotistic child.
But Megamind goes to prison. He just lands in prison and they just keep him there. I feel like right off the bat, this movie contains undertones of the whole nature vs nurture debate.
The debate essentially boils down to the question: "Is bad behaviour inherited or acquired?"
In this case, we don't really know anything about the traits that Megamind or Metro-man inherited from their families or home planets. For all, we know Metro-man could have come from a planet of evil space aliens, kinda like superman.
And Megamind could be from a world of civil blue people, like that live-action Pocahontas remake James Cameron made. (Avatar)
I personally think that Megamind was not destined for evil nor did he come from some sort of evil planet. Is Megamind destined for greatness? heroism? destruction? What? Well, that's up for him to decide or I guess for society to decide.
This is where the nurture element comes in. Where the two sides start conflicting. Megamind is raised to think: Burglars are good and cops are bad (which you know, that last thing is kinda true sometimes.)
But, let's not worry about that.
Megamind has been nurtured to be bad and use his mind to do bad stuff but his nature suggests otherwise. He's excited to go to school and fit in amongst his peers. He wants to impress them and be loved but is constantly being rejected because of his dangerous failed inventions and people being racist towards blue people lol
It makes him doubt himself and turn back to the things he's been taught. He gives in to how he was nurtured. Despite, his nature being good at heart.
Later on, in the movie, he slowly starts getting reformed through the positive influence in his life that is Roxanne but once she discovers his true identity and rejects him, his immediate impulse is to go back to the villainy that defined his life for so long.
He's convinced himself that being bad is simply in his nature when that couldn't be further from the truth. Everyone in the metro city thinks that however. Everyone reinforces this idea through their hatred and rejection of it.
It's no surprise that he internalizes that idea for so long but it's not just negative reinforcement that could warp the way a person perceives the role in the world.
Let's talk about the "Good guy."
The way Metro-man is developed throughout the courses of the story is also really interesting. In a story about a sympathetic villain who always loses to his beloved hero. The movie would usually end up making the hero the movie's antagonist
Not necessarily evil since that'd be weird but you know, a big asshole. This movie doesn't go in that direction, however. Metro-man is kind to citizens while simultaneously coming off as very egotistic and self-absorbed.
It's clear from his smug looks as a kid that he adores attention and he kinda lets it go through his head. The ceremony celebration at the beginning of the movie is one of the best character establishment scenes I've ever seen in an animated film. He's modelled after Elvis Presley and he clearly has some rock star flair.
But the way, he uses his superpowers is kinda questionable. Like, when he jungles babies, it gives the impression that babies are just props to him and he is so overconfident in his abilities that he has no problem tossing babies up in the air and flinging it back to their parents at high speed.
Like, what a great way to show off this guy's arrogant nature. I love how the mothers aren't even concerned because of how much everyone worships him.
The citizens give him adoration and praise, even though he really doesn't care about saving them and this becomes obvious when he fakes his own death and lets Megamind and Titan take over the city without doing anything because he is tired of being the "hero."
He really only cares about notoriety. Well yes, and no. It becomes evident that Metro-man never aspired to be a superhero and you can kinda understand him when he says he was never really given a choice and always had to be what the city wanted.
It's understandable that he couldn't handle the societal pressure to be one thing forever but at the same time, it signifies that he's not really deserving of the title of a "superhero."
If you remember. In Spider-man when MJ said: "Peter didn't ask for his power but he chose to be spider-man." Peter is naturally god at heart ad he uses his powers to help others and make a difference which is what made him a superhero.
Metro-man really only cared about the fame that came from stopping Megamind. Society moulded him into this egotist but never really gave him a choice in the matter. So, when he chooses his passion for music over being a superhero. Is it selfish or it's good that he chose his feelings over what society wanted?
The movie doesn't really pick a side either way about whether or not Metro-man's choice is justified or cowardly. It's up to the audience to decide which I really like.
Hal Steward a.k.a Titan. Honestly, this character was kind of ahead of its time since we live in the age of "nice guys" who feel this bizarre sense of entitlement to women because media and society made them believe that they deserve the girl no matter what.
In Hal's mind, the only thing holding him back from being with Roxanne is a lack of superhero powers. Roxanne tells him that they'll never be together and he throws a temper tantrum and leaves. He's unable to accept the idea that the problem wasn't his lack of power, it's his creepy and perverted personality.
Much like how Metro-Man stuck with the hero gig in order to gain adoration. Hal only wanted to become one to get the girl he likes.
When that doesn't happen, he becomes bad because it's just in his nature to be horrible. Now, he finally has an outlet to do horrible stuff without any concern for potential consequences.
Okay, last topic: Romance.
It's kinda weird that I went this long without discussing the actual story. To be honest, I kinda wanted the best part to be the last. In the beginning, I said that Megamind is only a villain because society deems him to be one.
No one has ever been given a chance to be anything other than evil. It's the only thing he's good at because it's the only thing he's allowed to do. So, when he takes over the city, it's no surprise that he quickly becomes bored of it.
Metro-man was the only person that gave him meaning in life but now that he's gone. He has no meaning.
Now, that I think about it success is kind of meaningless in the sense that doesn't give you true happiness. Happiness comes from connecting with others, forming bonds, sharing experiences and making each other happy.
This isn't strictly tied to romantic interest. It's just in our nature to seek a relationship of any kind. That's what Megamind wanted while growing up, to be loved and accepted by his peers. Just like Shrek, he's an outcast due to society's preconceived notions about him and his nature.
Meaning, he has no choice but to be the monster people expect him to be. Now, that his evil ambitions have been achieved. Of course, he's unhappy. He never aspired to be evil until society convinced him that's what he wanted.
It's almost poetic that he finally found genuine purpose with Roxanne. Yes, he kidnapped her a bunch of times but that's the villain gig. Kidnapping someone that is close to Metro-man to draw him out.
So, when he accidentally inspires her to disguise as a librarian, Bernard and she returns that kind of kindness by being kind to him for the first time. You get the feeling that he deserves a second chance in happiness.
They both deserve happiness after what they have been through. And now that there is someone in Megamind's life, treating him with genuine affection. Megamind finally has a chance to grow as a person and improve himself.
He makes the city a safer place, all to make Roxanne happy. This is what a loving companion can do. Help you become the best version of yourself. Yeah, he's technically lying to her but it's not to hurt her and there is no way she would give the villain who murdered a superhero a chance.
She is totally justified in thinking that. So, when she does finally find out, it's Megamind and they have an emotional confrontation where she tells him all the horrible things he had done. It's brutally heartbreaking.
You know, she's right but you also know that Megamind become such a better person, thanks to her. This isn't some forced scene that tears two characters apart before they reunite. This is an honest moment that speaks to the emotional maturity of this animated blue Will Ferrell movie.
That's it. This was long my fingers hurt from all the typing. Bye for now.
✎ᝰ┆Written by a 13-year old Mongolian girl.